Performances & Sound Art

Playaround Gig | (2026)

Performing alongside an array of local and international artists in this upcoming audiovisual festival, exploring the blend of analog synthesizers with acoustic piano in original compositions and improvisations.

‘casting light’ (2025) - acousmatic work

Electromagnetic field recordings of Hong Kong's dominant artificial lights—such as LED displays and neon signs—form the sonic basis for this acousmatic work.
Natural sounds are morphed around these electromagnetic sources as a sonic metaphor for light pollution's ecological impact, highlighting the fragile balance and calling for clearer skies and healthier ecosystems.
**Performed at: *Ars Electronica Forum Wallis Selection Concerts 2025* (Swiss)** by Prof. Simone Conforti (IRCAM)
**Official selection at: *Forum Wallis 2025* (Swiss), *ProjectoDME Culture and Sustainability Event 2024* (Portugal)**

theater and film scores

Crime and Punishment | (2025)

Excerpt from the theater score commissioned by the Hong Kong Arts Festival.

Internationally renowned and award-winning English writer/director Phillip Breen has teamed up with veteran local director Tang Wai-kit to reimagine the literary masterpiece by Russian novelist Fyodor Dostoevsky. | Link |

Garden of Repose | (2024)

And sweetest—in the Gale—is heard—
And sore must be the storm—
That could abash the little Bird
That kept so many warm—
Hope is the thing with feathers—Emily Dickinson

Repose refers to the state of resting. But how do we rest? What are we resting from? To some, rest is an ending. To others, a beginning.

Immersive soundscapes for this cross-disciplinary program at the Hong Kong Arts Festival that integrated

choral performances, installation, lighting design etc. in combination with the state-of-the-art L-ISA sound system for

a surround visual and auditory experience.